Yup, been listening to a lot of rockabilly and early rock collections while writing “Red Hot,” and this one stuck in my head. Which is great, because the next story, “Ramapough Ringer,” is set in a West Virginia holler, and this song feels right at home.
I came late to loving Johnny Cash. A co-worker named Reilly, who wore Sharpei slippers to work and looked sort of like Ralph Wiggum, went agog when I didn’t recognize lyrics from “Folsom Prison Blues.” He rectified that, and after finding both of Johnny’s live prison albums, I devoured whatever I could find. Prior to that, I knew Ring of Fire and “I Walk the Line,” which was one of my grandpa Abby’s favorites. A grandpa named Abby? Isn’t that short for Abigail?
Nope, “Abby” as we called him, resembled Fred Flinstone and drove a gravel truck. He always had an unlit cigar dangling from the corner of his cheek, and he called me “Rocky,” because even as a toddler, I had muscles like a rock. I sat on the rug and watched the Flintstones, and he imitated Fred’s catchphrase, “Yabba dabba doo,” once. And there is no “once” with a toddler. I asked for him to “Yabby” so much, it became his nickname through the family.
We lost Abby to cancer when I was seven, and like many men of his generation, he was an enigma behind a chiseled statue that betrayed little emotion. But he had a good heart, and we saw little of his temper as rambunctious children, when he lay on the couch eaten up by cancer. I inherited my love of “sloppy hamburgers,” as he called them, and muscle cars (he owned Mustangs) from Abby, and Johnny Cash inevitably brings back memories of him.
Thomas Pluck writes unflinching fiction with heart. His stories have appeared in Big Pulp, Needle, Stupefying Stories, The Utne Reader Burnt Bridge, [PANK] magazine, Crime Factory, Spinetingler, Beat to a Pulp, McSweeney's Internet Tendency and elsewhere. He edits the Lost Children charity anthologies to benefit PROTECT: The National Association to Protect Children, and writes 


"The Story of O Street" in Oh Sandy: An Anthology of Humor for a Serious Cause
"Kamikaze Death Burgers at the Ghost Town Cafe" in Feeding Kate
"Acapulcolypse" in Nightfalls: Notes from the End of the World
"The Rock Ridge Ringer" in Hills of Fire: Bare-Knuckle Yarns of Appalachia
"Train" in Shotgun Honey Presents: Both Barrels
"Garbage Man" in Beat to a Pulp: Superhero



The Lost Children: A Charity Anthology (Amazon Kindle & Paperback)
Johnny’s last studio album always makes me cry. Something about an old man singing about the end.
For me, it’s Warren Zevon’s “Keep me in your heart for a while,” when he knew he was dying. Though Johnny’s “We’ll Meet Again” has that quality, too.