I went to see Meat Loaf in concert with my friend Peter last night. The Loaf is 64 years old, and still belting out bombastic teen anthems with a voice full of heart and a belly full of steam.

Bat Out Of Hell is an iconic album of the ’70s, channeling teenage lust, angst and rebellion. We wore the grooves off it. The album art turns the act of teenage escape into Lucifer’s fall in Paradise Lost. I wasn’t a fan of the “sequel” with “I’d Do Anything for Love,” but this album and his other early work like “Dead Ringer for Love” still move me. I know a lot of you cringe when someone selects “Paradise by the Dashboard Light” on the jukebox, pinching their quarter until the eagle grins, but the opening guitar riff transports me the the wonder of childhood when days were spent exploring woods and rust-stained concrete factories on the back of a Huffy and nights with albums like this spinning while we sat around a fire pit on the patio, roasting marshmallows on sticks and potatoes in the coals.
Thomas Pluck writes unflinching fiction with heart. His stories have appeared in Big Pulp, Needle, Stupefying Stories, The Utne Reader Burnt Bridge, [PANK] magazine, Crime Factory, Spinetingler, Beat to a Pulp, McSweeney's Internet Tendency and elsewhere. He edits the Lost Children charity anthologies to benefit PROTECT: The National Association to Protect Children, and writes 


"The Story of O Street" in Oh Sandy: An Anthology of Humor for a Serious Cause
"Kamikaze Death Burgers at the Ghost Town Cafe" in Feeding Kate
"Acapulcolypse" in Nightfalls: Notes from the End of the World
"The Rock Ridge Ringer" in Hills of Fire: Bare-Knuckle Yarns of Appalachia
"Train" in Shotgun Honey Presents: Both Barrels
"Garbage Man" in Beat to a Pulp: Superhero



The Lost Children: A Charity Anthology (Amazon Kindle & Paperback)
Excellent. I love Meatloaf.
Bat Out of Hell is one of my all time favorite records.
Me too. It’s been tagged as kitschy by some, but I don’t think so.