Firecracker’s been wanting to see this for a year, and we finally got to it. I took her to see Rufus Wainwright for Valentine’s Day instead. While Rufus is entertaining, I wish we’d gone to see this musical instead. It’s pretty funny and very hot. For a show based on a play from 1890 that’s a surprise. There’s sort of a dearth of bawdiness in that era, and that’s what the story is about- it’s a morality tale about sexual repression, the kind of thing John Waters should be making a campy movie version of.
Sure it’s a little emo, but it’s a good show. I was thoroughly entertained and titillated. We had on-stage seats, which gives you a unique perspective; I’d probably want to see the show from the audience before I did it again. You miss a lot of the dialogue and lyrics because the actors are projecting away from you. You get the best view imaginable, and get bumped around sometimes as they bounce around the stage. The stage seats are incorporated into the show, actually- the backup singers sit with you, and occasionally the cast is standing right next to you.
The story begins with young Wendla, a German girl who asks her mother about the birds and the bees. Our Prussian-Puritan background shows in that I said “birds and bees” instead of “the penis and the vagina.” We’ve got a thousand euphemisms for it. Anyway, her mom is too embarrassed to tell her not to let snakey into her no-no, so you know she’s going to get in trouble later on. From there we cut to a strict Prussian schoolroom, where mussy-haired Moritz (Blake Bashoff, Alex’s boyfriend on “Lost”) has fallen asleep during recitations of Latin. His friend Melchior (the lead, Kyle Riabko) defends him and becomes the rebel of the show, questioning the schoolmaster’s methods.
He’s the one who gets in trouble with Wendla. Moritz falls asleep in class because his wet dreams are keeping him up all night, and he asks “Melchy” to write him an essay with illustrations because he’s read about sex in those forbidden books. Wendla finds him by the lake scribbling his naughty essay and eventually succumb to their throbbing hormonal urges. From the stage seats you get subjected to Mr. Riabko’s ass-crack, which delighted Firecracker. I got a look up Wendla’s skirt, and can tell you Alexandra Socha wears tighty whities. Besides being appropriately cute, the actresses and actors are all quite good. Beast said Melchior overacted, but he’s playing a rebellious teenager, and he played the part of the “Angry Young Man” from that Billy Joel song perfectly.
Emma Hunton was my favorite- she plays Ilse, a girl who was kicked out by her parents and now lives on the streets, posing for the Bohemian painters to live, usually wandering barefoot or in one of the artists’ shirts. She’s got great pipes and has a touching scene where she comforts inconsolable Moritz, who besides suffering the cruel injustices of the schoolmasters, can’t tell when a girl likes him. They sing a duet together that was the best song of the show, “Blue Wind.” The real crowd-pleaser is “Totally Fucked” when Melchior finally rebels, but it was loud and heavy on percussion so I couldn’t understand any of it from the stage seats.
Overall Spring Awakening is a good show and worth seeing- the current cast is excellent, and while the story might appeal more to teenagers than adults like me, who wanted it to be campier or even more daring, it is never boring. The set design is spartan and efficient, with no big set changes- it’s not showy like Hairspray but it was clever and impressive. Check out the soundtrack on Amazon: